The 19th century was a period of "foundational fictions

The 19th century was a period of "foundational fictions" (in critic Doris Sommer's words), novels in the Romantic or Naturalist traditions that attempted to establish a sense of national identity, and which often focussed on the indigenous question or the dichotomy of "civilization or barbarism" (for which see, say, Domingo Sarmiento's Facundo (1845), Juan León Mera's Cumandá (1879), or Euclides da Cunha's Os Sertões (1902)). The 19th century also witnessed the realist work of Machado de Assis, who made use of surreal devices of metaphor and playful narrative construction, much admired by critic Harold Bloom.
At the turn of the 20th century, modernismo emerged, a poetic movement whose founding text was Nicaraguan poet Rubén Darío's Azul (1888). This was the first Latin American literary movement to influence literary culture outside of the region, and was also the first truly Latin American literature, in that national differences were no longer so much at issue. José Martí, for instance, though a Cuban patriot, also lived in Mexico and the U.S. and wrote for journals in Argentina and elsewhere.


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